Stoke of Genius:
London-born singer/songwriter
Kate Nash will perform at The Sugarmill in Hanley this spring.
The artist returns to
Stoke-on-Trent on April 24 after the release of her third album Girl
Talk.
Following a platinum debut number
one album and a top ten follow-up there is pressure on Nash to
deliver once again.
Girl Talk is expected to have
drawn inspiration from Motown girl groups and Nash has called the
album a “mission statement of what it's like to be a woman”.
The first single, '3am', will be
released on February 18 while the album will be available from March
4.
In preparation for her new album
she recorded the punk-inspired EP Death Proof which was released on
November 19.
Nash will embark on a two-month
2013 UK tour in March.
You can buy tickets from The Sugarmill
or Music Mania
from Friday 18 January.
Showing posts with label London. Show all posts
Showing posts with label London. Show all posts
January 14, 2013
May 19, 2012
The rise and flames of Croydon town
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Courtesy of Peter G Trimming, Reeves Corner on 9 August 2011 |
Caught
up in the blaze of the House of Reeves was Croydon's community
plummeting to a new low.
August
2011 will always be remembered as the gloomy, generation-defying
summer when rioters were in power of our 'glorious' country
whilst the remaining public watched David Cameron's 'greater
monopoly' crumble.
Although
Cameron did have problems of his own; like unwillingly forcing
himself to take photos abroad with an Italian waitress after he
clumsily forgot to tip her. You can understand why he couldn't hurry
back...
With
a reputation of a high crime-rate and regular gang violence, Croydon
was already one of London's major towns in need of vast improvements.
Following
the incidents in Tottenham, it felt like only a matter of time for
our dear old Croydon town to become the infamous highlight of the
nation's most heartbreaking riots for 25 years.
Walking
down the South London streets, I was witness to the diminishing
collapse of everyday people's lives.
Countless
years of tireless effort and excruciating pain counted for nothing as
hard-working individuals watched their independent newsagents and off
licences being torn apart on live television.
What
else to do but sit back and watch your customers tear your life away
before your very eyes?
The House
of Reeves in flames became an iconic image of the riots as
fire-fighters found it too difficult to prevent £3million worth of
damage and endless sentimental value.
The
furniture store owner, Trevor Reeves, recalls the incident as “one
of those fatalistic moments...” He remembers asking: “What are we
going to do now? That's the end of that.
“I
stayed quite calm and didn't worry. When the fire engines arrived too
late it was pretty obvious what was going to happen. There wasn't
going to be any incredulity.
“The
staff turned up for work and we all made the best of what we had and
everyone got stuck in. People felt closer in the community because
everybody was in the same boat. There was more tolerance. It was much
more pleasant.”
Once
the public felt safe to walk on their own street at 3pm and
businesses no longer felt threatened to open, London, and in
particular Croydon, saw a rejuvenation.
The
sun was coming up and I was blinded by a mass of yellow. Post-it
notes covered Green Dragon's windows giving reasons as to why 'We
Love Croydon'.
Manageress
Espher Sutton made immediate impact: “My friend and I wanted to do
something positive because everyone was in shock.
“I
invited friends and regulars to post up one thing each and it took a
life of its own. We had people coming in off the streets just to
write something.”
Residents
had taken their time to restore a little faith by doing something so
minuscule. Comments ranged from praise for the town's musical
influences, places to shop and the general attitude taken by everyday
Croydonians.
The
senseless vandalism was soon swept aside as the Croydon Recovery
Campaign got well under way. The Croydon Business Improvement
District (BID) represents and funds town centre businesses and
delivered the project on Croydon Council's behalf.
In
1999 the London Borough of Croydon began the regeneration programme;
Croydon Vision 2020, to improve the urban planning of the area. With
major developments already years into place, the riots added another
two years onto the workload, although residents certainly helped
reduce that.
As
one of the 32 unitary London Borough's, Croydon Council is the
single, all purpose authority responsible for the vast majority of
the town's functions.
Croydon
councillor, Vidhi Mohan, said: “My faith in humanity was largely
restored by the
reaction of
the community as a whole in the aftermath of the violence.
“Everyone
rallied around and the message that came across loud and clear was
that local people felt passionately about their borough and their
neighbours.”
Leader
of Croydon Council, Mike Fisher, added: “Long-term regeneration is
not just about the physical and economic – we're also committed to
focusing on social recovery.
“Croydon
residents have shown immense community spirit and belonging following
the riots and we want to use this as a catalyst for renewed
engagement across the borough.”
Major
of London, Boris Johnston, alongside the Department for Communities
and local government, provided the heavily-hit town with £23m.
The
council supported by distributing £1m packages to local businesses,
giving up to £100,000 for families made homeless, providing a
weekend of free car parking and tram use; the list is endless.
MP
Gavin Barwell is leading Project Change, a program trying to restore
the damaged reputations of young people not involved.
Croydon
teenagers have had enough of being victimised and have taken
initiative to build their reputation by using a hands-on approach to
speak to the public, clean up the streets and paint positive messages
around the town.
More
than eight months on and 33-year-old Gordon Thompson has been jailed
for 11-and-a-half years for burning down 144 years worth of
historical landmark and legacy. The heat-of-the-moment thought of
stealing a laptop was assisted by a cheeky lighting of a sofa on the
way out of the House of Reeves. So whereas the youth may be targeted,
it's a middle-aged man who is convicted for one of the most harmful
crimes involved.
![]() |
Courtesy of Tiratna Photos, the Croydon Buddhist Centre |
People
have needed a place of comfort and reassurance in this dire time, and
the Croydon Buddhist Centre has seen an overwhelming increase in
numbers since the autumn.
Buddhist
leader, Dhammavijaya, said: “People would say that when the Buddha
spoke, it was like a light being brought into the darkness so that
people could now see clearly. The riots in Croydon show that our
society has its pockets of darkness, yet even within those pockets
there is a hunger for the light.”
“The
Buddha's last word was 'strive', and that is what we intend to do to
raise people's awareness; both, a set of coherent values that are
more satisfying than the purely material, and an understanding that
the world we create cones from the states of mind we inhabit.”
De
Stafford school teacher, Amit Chadda, attends the Buddhist Centre
regularly and is touched to see “members of the youth spending time
with their elderly neighbours to support them and keep them company.
“Charities
have been established to help rebuild long standing businesses that
have served the community for years. I mean, this is amazing. Isn't
it? Its incredible how the mindless, blind behaviour of an unskilful
minority has helped the wider community open their eyes and arms to
one another.”
The
born and bred Croydoner feels “it seems that we have recognised
that our little Croydon is special, it has heart. It's 'ours', and we
will stand by it, and its people.”
Perhaps
it's too naïve to say the riots had a positive impact on the town,
but this rehabilitation of an already tarnished reputation has seen
the silent majority speak out and take action. However many times
Croydon may perish, it seems nothing can bring it down for good.
Is
it permanent though, or is an anniversary repeat during the Olympics
only inevitable?
November 19, 2011
Rob Tamplin: Pocket Full of Stones
Quick-fire Questions
I have several idols, and they're all grumpy old white
men. I mimic them perfectly.
men. I mimic them perfectly.
Who would you compare yourself to?
I couldn’t possibly be that cruel.
How did you find the performing arts in general?
I like Les Miserables an inordinate amount.
Where is your ideal place to live?
Urban while I’m young, rural when I’m old.
Whose life would you love to have?
Stephen Moffat's life. I want to write Doctor Who.
Whose life would you hate to have?
Salman Rushdie's life.
How do you enjoy producing covers compared to writing your own songs?
Not very much.
How would you describe your music?
Bits nicked from bands I like.
What is your biggest personal achievement; musical and/or otherwise?
So far, probably writing a novel, which I'm putting the finishing touches to at the moment.
Have you got any ambitions not relating to music?
I’d like to get my novel published. And then write another one and get that published.
Where do you see yourself in 10 years time?
Pretty much in exactly the same place, but with white hair.
What has drawn you to writing music?
Necessity.
Rob's passion in life is creating artistic media. He writes music, he writes stories, he takes photos. His mind is always pondering on his next creative output.
What was your childhood like?
I had everything I could possibly have wanted or needed. However, I took it all way too seriously.
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Katy Shotter's debut album will be out soon |
The band name; With Stones In His Pockets, came from a line in the Nick Cave and the Bad Seeds song 'The Curse of Millhaven' which goes, “They found him next week in One Mile Creek, his head bashed in and his pockets full of stones,” which he misquoted for his band name. Previous names 'Post-Mortem' and 'Above the Rule of Law' had been beaten...
They formed about a decade ago and the other two members were still learning to play. Rob felt the weight on his shoulders and was up to the challenge as he was reasonably competent at guitar, writing songs, or at least riffs to turn into songs. He wanted to be the legendary Pete Townshend, so it suited him fine.
The Montreal based Constellation label was a huge influence on Rob with the music of A Silver Mt. Zion, in its various iterations, pinnacle to his style. Back when he was part of his three piece band he tried to make his guitar sound like post-rock outfit Godspeed You! Black Emperor. Although trying to capture their entire orchestral scope with a single guitar proved difficult, he managed to simplify it. He tried playing just the bass note on the E or A string and a melody line on the B or G string, and heaped on distortion, reverb and delay.
“And that started to sound a lot like the kind of chords they use in house and techno music – quite sparse, but always melodic. Being in a very small band, but trying to cultivate a massive sound influenced me a lot - the lack of sonic texture forced me to always try and do something interesting.”
Bands and styles influence Rob on a subconscious level so he can't tell who's influencing him at any one particular time. I suppose everyone could agree with that. He's completely unaware of where his ideas come from; he has no technique that enables to tell what he's doing. Is it necessary, or even possible, to have any control over your inspirations?
A modest Rob believes that he's not a particularly talented guitarist - so what is it that keeps him going so strong? Well, he feels he can write songs better than he can play them so that's got to be his biggest strength. His debut album Falls The Shadow was recorded in as little as three days with little time for retakes, so perhaps Rob is no perfectionist but his love for the music takes over.
“Someone once told me - and I don’t know if this is true - that John Frusciante believes that ghosts feed him his ideas from the ether. You might scoff - like I did when I first heard that - but I can tell you it’s fucking true! Not necessarily ghosts from the ether...but when I’m really on it, where are those ideas coming from? Certainly not from my conscious mind. They feel like they’re coming from somewhere else, which is why I don’t feel like I have any real ownership of some of my songs. 'Speaking in Tongues' from Farewell Happy Fields, or 'Tree Song' from Falls The Shadow. Where have they come from? Not me, I couldn't write songs like that.”
Have there been difficulties to deal with over the years?
With Stones in His Pockets is built on difficulty.
Going solo proved almost impossible – he hates playing live solo, really HATES it.
“I’m fine in a band, but when it’s just me and an
acoustic guitar, the tension gets to me something chronic. It’s not stage fright. It’s stage hate.
“The difficulties and flaws continue to this day with the fact that the latest album was recorded in just three days by a band who barely knew the songs. But I like the difficulties and the flaws...or at least thrive on them.”
The London music scene has always been key to Rob's entire creative output. Although his sound is not too similar to beloved London acts such as The Clash or the Sex Pistols, he feels that his music is heavily influenced by the Capital.
“There's a sense of being at the mercy of things much bigger than you – indefatigable, unknowable, uncontrollable things. That's the feeling I get from London, and that's inherent in my music, and everything else I do.”
The unfortunate riots of the 2011 summer occurred just before the recording of Falls The Shadow, and despite the songs being years old they all tied into an underlying theme that chimed very much with the time.
Rob feels that when the climax of the album kicks in – the heavy bit of 'Burning Billboard Blues' – it's supposed to convey the kind of “nameless terror you feel when you know the things you're seeing are going to change the futures of everyone around you – and not necessarily for the better.”
“The album is borne of that kind of anxiety, of seeing violence and destruction, and you can’t stop it because you're eating your dinner in front of the telly. All the songs are full of paranoia; they're all snapshots of something huge and broken down.”
He believes his biggest musical achievement is the song 'I Believe You Like I Believed Nixon, and Look Who Was Right There'. He believes he'll never write anything as good or as effective at summing up the whole With Stones thing ever again. Despite his love for the half hour track it didn't make it onto the album – it just didn't fit apparently.
![]() |
Daman Albarn reached his peak at a young age |
Tell me an interesting fact about yourself.
Back in 2007 I lived for two weeks in a hospital in Croydon as part of a medical research trial. I met a lot of nice people and got the best sleep of my life. It’s the most interesting thing I’ve ever done.
His recently finished novel; Belong, is a historical/detective/horror story set shortly after the Second World War. Focusing on the theme of intolerance, it looks at the start of immigration in the UK.
“Even though there are monsters, most of the horror comes from the characters' - and humanity's - territorial nature and usury of each other.”
How would you define music?
If you're making a noise, and you intend for it to be music, then its music. It's all in the intention, not in the result.
You can access Rob Tamplin's work by clicking the links below:
Listen - Sound Cloud
Falls The Shadow is out now on iTunes, Spotify and Amazon MP3!
April 28, 2011
Richmond College provide hope for Haiti
Below is a revised article for something I wrote in May 2010. A year after the event I thought I would share my first ever article with you!
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Dancers began the charity event |
A HOST of students performed in the Hope for Haiti! event to raise money for UNICEF at Richmond upon Thames College on Wednesday 28th April.
The evening featured an array of talent from thrilling musical numbers, powerful dances and a successful comedic performance raising a total of £350.
Students and staff of the college attended the evening in order to raise money and awareness for the earthquake that struck the Caribbean country on 12 January 2010.
The poverty ridden country was hit with a magnitude of 8.0 causing over 220,000 deaths and more than 300,000 injuries. 30 per cent of Haiti's population have been affected and around 1.3 million people are still in emergency shelters in need of desperate help.
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Various talentend musicians performed |
A range of local teenagers performed in order to present the variety of talent from the community.
Maanik Chadda, a Richmond upon Thames College student, organised the event after being devastated by the situation to which the country was forced upon:
“I could not believe that the country was in such debt, poverty and corruption before the earthquake. Alike many, the disaster really opened my eyes to want to help as much as I could.
“It was heart-warming to see so many people willing to help the cause by donating, performing and attending.”
Maanik decided to take action and managed to produce an evening of entertainment thanks to help from students and staff of the college.
The first act of the show featured several dance performances choreographed by the students themselves.
A variety of musical displays were shown throughout the first two acts; featuring solo's, duets and a rock band.
The evening was complete in the third act with an A2 drama self-choreographed exam performance entitled 'The Manor of Farce'.
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The A2 Drama piece was a fitting end to the night |
Several local businesses provided refreshments for the two intervals in-between the acts.
A raffle with prizes donated by students and small businesses was drawn at the beginning of the third act.
The night ended with great applause and appreciation from the audience and performers.
A similar, slightly re-written article was published on Richmond upon Thames College's website on Friday 28th May 2010. However, the publisher made some pretty bad errors! It is available here: http://www.richmond-utcoll.ac.uk/events/scrapbook/currentNews.asp?subnav=11#00254
A short article was also published by a reporter in The Informer's Friday 28th May 2010 edition.
April 17, 2011
So who is this Skratchy guy?
Up-and-coming musician Daniel Hawes has had a lively upbringing into an area which is dominated by modern music creating a huge impact.
Quick-fire Questions
-
'Summer'
- Drum & bass or dubstep?'Probably dubstep, but it's close'
- Night in or night on the town?'Night out definitely'
- Motown or modern pop?'Motown, it's what I've grown up on'
- Comedy or thriller?'Comedy'
- Skepta or Wiley?'Wiley'
- The Inbetweeners or Skins?'The Inbetweeners'
- Football or rugby?'Football'
- Underground or mainstream?'Underground'
- Practical or stylish?'Definitely practical clothing'
Since the age of when he can remember, Daniel has always had a love for music. Although he wouldn't describe himself as having a passion, he enjoys making music and making his friends laugh. He is a matter-of-fact guy who has lived his life by getting straight to the point, without any hassle, doing what he needs to do to prove his point.
He feels incredibly grateful of his parents as he could not have wished for a better start to life. They always supported him with his ambitions and remain to do so in his adult life. He thoroughly enjoyed his childhood, attending Isleworth & Syon school for Boys' until the age of sixteen. He grew up in the modern South West London culture and it influenced his music and way of life significantly.
The name Skratchy goes back to when he was just five years old. On receiving a scratch on the forehead from his best friend, his newly joined football team started calling him 'Scratch'. As time moved on the name stuck with him, so much that his parents sometimes refer to him by it. He found it to be an ideal, catchy and appropriate name to use for producing.
He is currently ending his A-Levels at Richmond upon Thames College where he is studying Music Technology. The practical knowledge and hands-on experience gained from the course have been vital. He feels that he has learnt 'key concepts of the industry' and 'gained a better knowledge of production techniques'. However, Daniel was never a stranger to the likes of producing music before college and studying it has not changed the way he goes about making music.
To produce his music he uses the programs Fl Studio 9 and 10, while currently learning the ways of Ableton Live and its unique features. Nevertheless, he would not agree that any particular software is better than another; 'they all have their peaks and downfalls, and it's down to artist preference and ability'.
Dubstep drew Daniel instantly as he recalls his first rave: 'as I walked in the DJ dropped Subscape – 'Nothing's Wrong' into Benga & Coki – 'Night'.' He had never heard anything like it before and has been hooked ever since.
Dubstep was founded in London, as we moved into the 21st century, by absorbing and transfiguring elements of drum & bass, techno and dub. Its 'tense, almost oppressively dark sound was built on tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals' (All Music)
Living in London has contributed greatly to his musical tastes with South London artists Skream and Benga beginning their careers there. He doubts that he would be producing dubstep music if it was not for the large exposure to the genre in his area.
Under his DJ name Skratchy, his first release; the EP Up to Skratch, was made available on iTunes on 28th February 2011. It has been released on his independent label 'Solur Beats'.
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The EP Up to Skratch |
Although he remixes other people's work, he prefers to produce his own music as there is more room to be creative.
He has grown up worshipping musical idols such as Earth, Wind and Fire, Stevie Wonder, James Brown, Kool and the Gang, and a modern icon of his; Benga. He feels that he could forever list his loved musicians from 70s soul and funk.
Playing the bass guitar from a young age, Daniel was influenced by the likes of Marcus Millar and Stanley Clarke; 'two of the best bass players to have ever lived'. He has developed his musical tastes dramatically over the years. He now listens to the likes of Skepta, Wiley and LD. As a fan of drum and bass duo Chase & Status, he believes that 'it's great that we have someone breaking into and competing in the mainstream music world'.
More specifically to his work, he has been heavily influenced by the likes of Benga and LD who he feels 'have kept the dub in dubstep'. While he strongly believes that Shy FX 'owns the jungle and DNB scene'.
He describes his music as 'a fusion between dubstep, DNB and jungle', as he finds it difficult to define his music as any one genre due to his ever changing styles. He believes that it is 'bassy' and 'heavily influenced by dub and reggae, but it may well change.'
Modest Daniel does not believe that he has any 'real musical talent': 'I just love what I do and I hope that people who have heard my music enjoy it as much as I do making it.'
Although he does not feel like he can compare himself to anyone, he tries to keep his music 'true to the definitions of the genre'. He would say his style is similar to electronic producer's Reso, but he tries not to compare his work to others and instead carry on making beats that make him feel good.
He states that he would love to be Matthew Pritchard from the 'Dirty Sanchez' series as he is 'such a likeable bloke and I'd love to know what actually goes through his mind, because I reckon he's a total loon!' In contrast, he would hate to be a politician as they are 'scum bags'.
His greatest ambition in life is to play at leading Bass Music & Soundsystem Culture Festival; Outlook, before he dies. He also aims in going to university and to broaden his horizons by leaving the country. After receiving a degree he hopes that he will be working the social science sector and Djing in Australia or New Zealand.
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Daniel believes that 'Dreams Come True' |
In ten years time he hopes to still be alive!
Publicising his work on social networking and video channel sites such as 'Facebook', 'MySpace' and 'YouTube' means that his fan base is continuing to grow.
Daniel is hoping to finish his A-levels and get himself known on the music scene. He is starting off by Djing at people's birthdays, hoping to get noticed by a larger audience.
Keep an eye out for the South London DJ Skratchy.
Please follow the links below to hear music from Skratchy:
March 01, 2011
Mumford treasure their greatest week
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Courtesy of Kmeron, Marcus Mumford |
Marcus Mumford, Country Winston, Ben Lovett, Ted Dwane. These are the four names that will be on anyone's good music tasting lips for years to come. After releasing the strongest debut album I have ever grown to love, I can only imagine that the decade will be dominated by Mumford & Sons.
I'm pretty sure that they will be quite pleased with their past week. For a band that formed in late 2007 I doubt that anyone could have predicted that they would be flying so high right now.
As if nominations at the BRITS for British Breakthrough Act and British Group were not enough, they also received Grammy nominations for Best New Artist and Best Rock Song. Oh, and within two days they performed live at the Grammys with Bob Dylan and picked up the British Album of the Year award. Now that's what I call a good week.
So, how can four country-dressed boys from West London bring folk back to the mainstream audience?
The exploding banjo rants along with the heart-wrenching mandolin rhythms have created the perfect balance to attract a much wider range of listeners than most. The lads from London have revolutionised the city's music scene showing the world that although N-Dubz and Chipmunk are amazing...they have some other talents too.
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Courtesy of Kmeron, Ben Lovett |
The album held true British anthems such as 'Little Lion Man' and 'The Cave' which have achieved great success, with the former up for a Grammy award. However, it was the beautifully ability for the album to flow so naturally with such a solid structure throughout and not a weak point anywhere to be seen.
With their powerful and memorable performance at last year's Glastonbury Festival they stamped their place in British music forever. Their nominations at the BRITS were expected by many, and few could disagree with their presence.
They have extended their tour to include several dates in Scotland and Ireland in order to showcase new material for a smaller venue of fans. An intimate headline slot at London's Dingwalls for the Shockwave NME Awards this week will be a great opportunity for fan feedback. They will need to go beyond what is expected of them if they are to produce another world-beating album like Sigh Mo More.
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Courtesy of The Queen's Hall, Laura Marling |
Folk has been the talk of the musical town recently with singer/songwriter Laura Marling picking up an unexpected British Female Solo Artist award at this week's BRITS. Her follow-up album I Speak Because I Can has touched hearts stretching outside the UK and although she has not been as commercially successful as Mumford, it shows that the genuine musical talents are being noticed in this country. Apologies Cheryl.
Mumford have officially stamped their mark on making folk an incredibly dominating genre in popular music. And I can't see it changing while they're still around. Bring on album number two.
Below are all the nominations for the BRITS 2011 and the 2011 Grammy Awards involving Mumford & Sons and Laura Marling. In bold are the winners of each category.
The 2011 Brit Awards
British Female Solo Artist
Cheryl Cole
Ellie Goulding
Laura Marling
Paloma Faith
Rumer
Rumer
British Breakthrough Act
Ellie Goulding
Mumford & Sons
Rumer Warner
Tinie Tempah
The XX
British Group
Biffy Clyro
Gorillaz
Mumford & Sons
Take That
Take That
The XX
British Album of the Year
Mumford & Sons – Sigh No More
Plan B – The Defamation of Strickland Banks
Take That – Progress
Tinie Tempah – Disc-Overy
The XX – XX
The 2011 Grammy Awards
Best New Artist
Justin Bieber
Drake
Florence & The Machine
Mumford & Sons
Esperanza Spalding
Best Rock Song
Neil Young – 'Angry World'
Mumford & Sons – 'Little Lion Man'
Kings of Leon – 'Radioactive'
Muse – 'Resistance'
The Black Keys – 'Tighten Up'
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